His new group exhibition impressed art lovers Association of Visual Artists of Greece, Apellis, which was presented in May 2021 at the APELLIS art space, in the square St. George Karytsis.
Ο Leontios Petmezas In his capacity as president of the historical society and as an art historian, he remarked on the exhibition: ”The refined work of the participating artists was characterized by the distinctive elements of the design integrity, color contrast, and narrative quality whose cohesive composition stood thoughtfully as a source of inspiration. The dynamism in the flow of the writing and the events described was welcome and invigorating, justifying, through a testament of discernment and embodiment, the hallmark of simplicity in the structured texture of the depiction of meaningful and unique journeys.
The diversity of the various themes and the different interpretations lent a unique sense of renewal and reconstruction to the concepts. The magic we experienced as we observed and watched these specific interactions and convergences as spectators was undoubtedly the result of a combination of an authentic style that reflectedidols and the mirrors of dialogue. The compositions interwove the unfolding of phases that came vividly to life alongside the reconstruction of both the frames of reference and the culminations of an artfully crafted, conventional, and relevant bridge tour.
The artists delved into a wealth of material with care and scrutiny, highlighting its essential significance.The scope and scale of the outcome of the process that was achieved undoubtedly had broader dimensions and provided clear information.
The journey, undertaken in collaboration with the partnership, became a refrain in terms of temperament and principles, as it fostered a universal atmosphere of philosophical resolve and rare sensitivity, with a perspective that led to a luminous aura from which radiated harmonious smilesof a sound spirit combined with a refined quest. Every responsible reference immediately contained truths that served as criteria for further choice and inner reflection. .
The welcome messages were represented by existential manifestations and flashes of light in the space, through definitions and contrasts. In the exhibits, the technique highlighted the artists’ mastery of materials. They adapted their execution to demands involving dual and perforated textures. With consistency and uniqueness, they emphasized their unparalleled sensibility. The tensions in the typology, which externalized trends, were also moving. By expressing sensations through definitive models and approaches, they revealed theoretical discernment. These achievements were expressions of sincerity that, combined with a fruitful sense of concern, were orchestrated into a visual discourse.Within the framework of a distinctive lyricism imbued with mystical grace, they placed the referential confession at the heart of the study of partial contemplation. They presented styles marked by interventions. With precision, they articulated thoughts, emphasizing rhythms of differentiation with a fluidity of transformation in the absorption of the subjects they addressed. Intrinsic thoughts and conceptual representations dominated the array of advanced and postmodern themes. As we viewed the exhibits, we discovered the joyful mood that was attached—in a welcome and accessible way—to sensory situations and legendary traces that undoubtedlythe ethnographic rhythm of the dramatic negotiation. Gradually, we found ourselves drawn into an exploration of unyielding charm and toward the paths of a deeper analysis grounded in styles and schools of thought.
Following the conventions of an introspective ritual, the artists deliberately and artfully revealed familiar elements of existing reality and everyday life, emphasizing the grandeur of potential, transcendence, harmonious arrangement, and the scale of the references to the present and the here and now.
With great skill, they depicted a full spectrum of inspirations, authentic and unadulterated interpretations that were welcome embodied in artistic representations with a distinctive sense of excellence, both tonal and methodical in their juxtaposition. Justifying the exploration of the plasticity inherent in the transition to dimensions of distinctive and refined compositions, with a focus on the comprehensive construction and the intrinsically orchestrated structure of the act ofinteraction.
With a dominant blend of softness and austerity, they imparted a sense of authority through a distinctive formal arrangement and restructuring of the sculpted texture and form, as well as through the inventive,idealized elements of the reconstruction. By thoughtfully delving into the essence of each subject, they grasped the realities being reproduced, opening pathways to timelessness and the future continuity demanded by the unique nature of the process ofintentions.
The guidelines strongly emphasized multifaceted, multifaceted, morphoplastic expressions with absolute realms of transformed expressiveness that distinguished the inner essence of the enriched technique and correlated it multidimensionally with the motifs of writing that maintained, with a positive disposition and an evolutionary extension, a stance toward the character of the positions of constructive clarity in a comprehensive and sensory manner. Regardless of the size of the paintings, I believe that their overall body of work rests on a dynamic structure of penetration that soars in demand, a sensitive nuance, and an innovative expression of fluidity and absorption. The miraculous fruits of their osmosis contain clusters of clear and sufficient information from the past and from yesterday.”
The following visual artists participated in the exhibition: Aris Apostolikas, Matina Varlamou, Agathi Galanopoulou, Chrysoula Demakou, Sofia Zerva, Katerina Zadelis -Polimenakou, Roubini Papalexopoulou, Tasos Pappas, Takis Karantzas, Apostolos Kordatzakis, Ioannis Kostikidis,Eugenia Lela, Konstantina Mitsaina, Evangelos Mitsou, Kostas Mytakos, Anna Fameli-Papapostolou, Christina Chaliori.
