When the Aegialia was on fire, the Mitsotakis resting in the waves of the Aegean. From selfie to selfie, his naked stature reached the last village.
When the evil began in Heavy drum, Mitsotakis was swimming in the waves of his self-admiration. And two hours after the fire started, he posted on the Internet his miracle in our digital salvation.
When the fire engulfed half of Attica, burning homes and destroying a unique lung of Athens, Mitsotakis communicated his love for firefighters. Meaning for himself.
When the pandemic was successfully dealt with in the first wave, Mitsotakis had ascended to the Sinai of self-admiration, incense and self-worship.
When thirteen thousand souls were lost in a few months, we learned that Mitsotakis was a brilliant fighter against a global pandemic, which in Venezuela had cost more lives.
When the fires engulfed Greece, Mitsotakis stood firm against the greenhouse effect, climate change, the heatwave, our root evil, as the causes of the tragedy.
When the Lignadis was revealed for what it was, Mitsotakis covered up for what it was not, projecting an SOS and a gag on communication. His photos, all smiles with the famous director, disappeared or were excused as completely random.
When the police were beating up middle-class children in the Nea Smyrni, Mitsotakis was pulling his tail out of the carnage and smashing our sanity, committing leaks that it's all Chrysochoidis' fault.
When Mitsotakis was caught with his financial affairs on his back, he was photographed angrily with his family, to convince sensitive hearts that the bad guys are messing with his defenseless wife. And his children. And with his dog even.
When society in general is on fire, Mitsotakis dives with ease into selfies in communication. When he takes a vacation while the flames are destroying people, he throws black on information. When lives are lost, it's the universality of the pandemic.
Mitsotakis, as you have understood, never loses control of one thing: the projection of his greatness. But it's not his fault. It's his invincible love for himself.
Thanasis Karteros
