Patras: Georgina's Chilling Drawing

The "gallows tree" and the menacing face - Child psychologist Christina Boyatzis’s analysis and interpretation of 9-year-old Georgina’s drawing is shocking and fully consistent with what we know today, following the arrest of her mother, Roula Pispirigou.

Before her interrogator is expected to be held today, Thursday (March 31), the Roula Pispirigou, who is accused of the intentional killing of the 9-year-old Georgina in Patras.

The 33-year-old woman was arrested yesterday after charges were filed against her criminal prosecution for manslaughter with intent of her 9-year-old daughter, one of her three daughters.

As it appears, the toxicological tests The tests conducted on Georgina revealed that her body contained a concentration of an anesthetic drug (ketamine) that cannot be justified by the patient’s previous hospitalizations.

Following the dramatic developments in the Patras case, the drawing by 9-year-old Georgina, which had been featured on one of the shows “Light at the End of the Tunnel” by Angeliki Nikolouli, it seems spine-chilling.

In fact, at that time, in a post on her personal Facebook account, the child psychologist and speech-language pathologist, Christina Boyatzis, He had attempted to analyze and interpret the painting, reaching shocking conclusions that are fully consistent with what we know today.

The child psychologist had identified, among other things, feelings of fear, insecurity, and a sense of danger on the part of the child, referring to her parents and sisters.

Patras: The Interpretation of Georgina’s “Prophetic” Drawing

As she wrote in her post at the time:

“INTERPRETATION

  1. Child in a blue crib: I feel insecure about entering the scene in the drawing; I’m watching you and observing you from a distance.

  2. I swing on the swing: I'm still a kid. I'm energetic; I love to move.

  3. Tree shape: a trunk shaped like a noose. I have to find the right words so I don't get hanged. I'm in danger.

  4. Yellow Swing: My perspective is this: my ability to move and see things from a different point of view puts me in a strong position to understand.

  5. A tree connected to a heart: I’m connected, yet I remain at a distance.

  6. “FOR YOU”: Take a look at the drawing inside the heart-shaped frame. Can anyone figure it out? For all of you! A cry for help. Written in red means I’m asking for help from those I feel I belong with—for example, anyone who cares.

  7. Light in the Heart: Within the heart lies THE WHOLE TRUTH!

  8. The image of an angel/bird with a protruding beak: My sister became an angel; she died. Her nose says something about her death, but she also became a bird—something that frightens me and makes me feel insecure.

  9. Green heart-shaped box: I’m putting what’s happening to my sister in a “DIFFERENT FROM ME” category so the same thing doesn’t happen to me.

  10. A central figure with a tanned face: the face next to my sister is aggressive, unapproachable, very confusing, monstrous, with hands that violate my sister’s boundaries, but she gradually steps out of the frame and is saved from this face. The face is THREATENING; it is not my sister.

  11. Green Angel: My sister is LEAVING the dark-skinned figure with the long arms. She’s setting herself apart.

  12. The angel on the right in the painting: My sister (IRIDA) is now THE FUTURE, because after her childhood in the cradle, YOU BECOME AN ANGEL in the future, although I am far from that because I am on the left, far away.

  13. Father nowhere to be found. MISSING.

  14. Mixed colors of the heart’s frame: The green is because I want to stay away from him; I don’t want to become an angel. The red is because I’m included as long as I see it from a distance.

  15. Black Face: ”A mix of conflicting emotions, an indefinable being that brings darkness, domination, and death.”.

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